Introducing Fair at the Sorotchintsi wonderful cast
- Galina Barskaya

- Oct 17
- 8 min read
Updated: Oct 26
Phil Meyer is delighted to return to IOC as


Cuban-American actor/mezzo-soprano Alexis Wesley (Khyvria, Cherevik's wife) is a frequent performer with Independent Opera Company. Equally at home in opera, oratorio, musical theatre, stage plays and film, she is also a writer and producer of independent film and theatre. Locally, she has performed principal roles with Pacific Opera Project, Mission Opera, The Definiens Project, Independent Opera Company and Palisades Symphony. Favorite roles include Mme. de Croissy (Dialogues des Carmélites), Miss Todd (The Old Maid and the Thief), Madame Flora (The Medium), Spring Beauty (The Snow Maiden), Prince Orlofsky (Die Fledermaus), Gertrude (Roméo et Juliette), Marcellina (Le Nozze di Figaro), Mrs. Lovett (Sweeney Todd), Charlotte (A Little Night Music) and Prudie Cupp (Pump Boys & Dinettes). Favorite oratorio solo work includes Verdi’s Requiem, Pergolesi’s Stabat Mater, Mendelssohn’s Elijah, Handel’s Messiah, Kodály’s Missa Brevis, Buxtehude’s Jesu Meine Freude and Vivaldi’s Gloria. Originally from Cincinnati, Ohio, she holds an MM in Voice from CSUN and is a graduate of the Stella Adler Conservatory of Acting in NYC.


David Ingram, Baritone, (Kum/Chernobog)is an American singer known for his warm tone and strong stage presence.
He has performed leading and supporting roles with companies such as Arizona Opera, Independent Opera Company, Lawrence Opera Theater, and CSUN Opera. His memorable roles include Il Conte (Le Nozze di Figaro), Papageno (Die Zauberflöte), Escamillo (Carmen), Belcore (L’elisir d’amore), and Marcello (La Bohème).
In addition to opera, David has appeared as a soloist in major oratorio works including Faure’s
Requiem, Handel’s Messiah, and Mozart’s Requiem. He has sung with ensembles such as the
Arizona Opera Chorus, Tucson Symphony Orchestra Chorus, and sang with the Tucson Arizona
Boys Chorus since he was 9 years old. David is a scholar of gregorian chant and earned his Master of Music in Vocal Performance from California State University, Northridge, and his Bachelor of Music from the University of Arizona.
He currently resides in Los Angeles, continuing to perform across the West Coast.

Timothy Simon (Gritsko, lad) is a captivating opera singer whose voice resonates with power, nuance, and
emotion. He is a Tenor based in Los Angeles, born and raised in Tucson, Arizona. His operatic
journey has included performances with esteemed programs such as Arizona Opera, the Tucson
Symphony Orchestra, and Lawrence Opera Theatre, as well as in school productions at the
University of Arizona and California State University, Northridge.
He holds a Master of Music in Voice from CSUN and a Bachelor of Music from the University
of Arizona. His most significant roles include Lord Percy in Anna Bolena by Donizetti
(Independent Opera Company), Le Remendado (cover) in Carmen by Bizet (Arizona Opera),
Tamino in Die Zauberflöte by Mozart (CSUN), Chevalier de la Force in Dialogues des
Carmélites and Don Juan in The Stone Guest (Independent Opera Company). Beyond the
operatic realm, Timothy finds inspiration in his relationships with the friends and family around
him, discovering new depths of emotion and understanding through their shared experiences and
perspectives.

Alex Perkins, tenor, (Afanasiy Ivanovich, a priest's son) has always had a passion for music. Alex studied voice at El Camino College in their Applied Music Program under the tutelage of Rhona Klinghofer, M.M., Julliard, and was a featured soloist with the El Camino College Orchestra. It was also there where he debuted his first opera role, King Kaspar in Amahl and the Night Visitors. Alex continues to study voice with Ms. Klinghofer and has since performed with Long Beach Opera in their productions of The Death of Klinghofer and Difficulty of Crossing a Field. He is also an alumnus of the Angel Vocal Arts program under the baton of Kristof Van Grysperre, performing in several of their arts and oratorio recitals. For the past 11 years, Alex has performed with The Ensemble, a South Bay based group of classical singers who produce an annual concert series of opera favorites. In 2023, Alex had the pleasure of working with Source/Filter Music Collective in the Los Angeles debut of Doggone! A Micro Opera by Gary Carpenter, text by Simon Nicholson. Since 2020, Alex has had the pleasure of working with Independent Opera Company in their productions of Die Fledermaus, Puss in Boots, and The Love For Three Oranges.

Ethan Miller, baritone, (The Gypsy) is a Missouri native and current master’s student at California
State University Northridge. He received his Bachelor of Music degree from the University of
Missouri Columbia. Mr. Miller currently studies under Dr. Hugo Vera, previously studying under
Christina Ray. Most recently Mr. Miller seized the opportunity to make his acting debut, taking
part in the film “Plump Jack” as a chorus member. He is currently waiting for the first official
showing. Over the summer Mr. Miller played Lord Rochefort in IOC’s (Independent Opera
Company) performance of Anna Bolenea as well as Sam in LOT’s (Lawrence Opera Theatre)
performance of Blue Monday. Ethan has played and understudied for many roles such as Bob in
The Old Maid & the Thief, Antonio, Bartolo, Le Count and Figaro in Le nozze di Figaro, Don
Magnifico from La Cenerentola, and Demetrious from A Midsummer Night's Dream.

Niko Murakami (Parasya cover, chorus) is a Japanese-American soprano. She holds a Bachelor’s Degree in Music -
Vocal Performance from California State University Long Beach and earned her Master’s
degree in Vocal Performance at California State University Northridge. Ms. Murakami’s credited roles in opera include Rose Maurrant in Street Scene, The Princess in L’enfant et les Sortiléges, and Sister Mathilde in Dialogues of the Carmelites. She has collaborated with organizations like Pacific Opera Project (Superflute, Iolanta, Elixir of Love,
Madama Butterfly), Independent Opera (Love for Three Oranges, Daphne), and Los Angeles Opera Connects (On Gold Mountain). She has also performed as a guest soloist hosted by the Japanese Consulate of Los Angeles.
Her work includes singing as the soprano soloist for a Japanese rendition of Handel’s The
Messiah with The Japanese Messiah Project. She recently sang in Vibra Voce’s Voices of Asia
concert at the Wilshire Ebell Theatre. Niko studies classical voice with Shigemi Matsumoto.
CHORUS

Chelsy Cordon is a Los Angeles based actress and lyric soprano. She performs in multiple
genres spanning from opera to contemporary musical theatre to experimental theatre.
Her musical theatre credits include Sibella Holland in A Gentleman’s Guide to Love and Murder,
Johanna Barker in Sweeney Todd, and performed both as a dancer and the Sally Bowles
understudy in Cabaret. Her opera credits include Mme. Lidoine, the Second Prioress in Dialogues of the Carmelites,
Polly Peachum in The Threepenny Opera, and Blanca Presencia 1 in the United States premiere of Marea Roja. Upcoming performances include Musetta in La Boheme, Vi in Blue Monday, and Polly Peachum in The Threepenny Opera. She has also worked in experimental theatre including multiple Blackbox productions including 30/60, a blend of improvisational, audience participatory, and pre-written theatre. She has also worked in multiple short films. Chelsy holds her undergraduate degree in Musical Theatre and her Masters degree in Vocal Performance and has been the recipient of multiple awards and has graduated with distinction in both her undergraduate and graduate degrees.

Maureen Mihalik is a Mezzo-Soprano based in Los Angeles, CA. She regularly performs as a soloist with the “Opera Ensemble” and has performed the roles of Junon (Orpheus in the Underworld), Narrator/Lumberjack (Red Riding Hood), Armelinde (Cendrillon) and Prince Orlofsky (Die Fledermaus).

Bianca Galicia began honing her craft at renowned institutions such as, The Los Angeles Music
and Art School, The Los Angeles County High School for the Arts, and East Los Angeles
College. With over 18 years of choral experience, she has performed as a soloist in iconic works
including, Handel's The Messiah, Mozart's Requiem and Coronation Mass, Bach's Magnificat,
and Schubert's Mass in G. She has been a part of various productions as both a lead and
chorus member, such as, Mozart's The Magic Flute (Queen of the Night), Bizet's Carmen
(Michaela/chorus), and Menotti’s Ahmal and the Night Visitors (chorus). After a hiatus, Bianca is
determined to perform again. She has participated as a chorus member in the productions of
Rachmaninov’s Aleko and Leoncavallo's Il Pagliacci with Pacific Lyric Association, Strauss's
Daphne with Independent Opera Company, Mozart's Le Nozze di Figaro at Santa Monica
College, where she also had the opportunity to be the understudy for the role of Contessa, and
most recently performed as The Sandman and Dew Fairy in Humperdink's Hansel and Gretel
with Opera à la Mode. Bianca is currently performing with the vocal group Voces de Amarilis,
who specializes in a repertoire that ranges from operatic trios to Hispanic boleros.

Laura Jackson is thrilled to be joining Independent opera company once again. She has received her Bachelors of Music from Cal State University Northridge. She has most recently appeared as the Wardrobe in Beauty and the beast with Actors Repertory Theater of Simi Valley and Papagena in Landmark Opera’s production of The Magic Flute. Laura has played many roles with VCGSRC including Utopia (Zara) , The Pirates of Penzance(Mabel), Patience(Patience), The Sorcerer(Aline) and Yeoman of the Guard (Elsie). With The Musician Club she performed in Dido and Aeneas (Belinda). She has been a part of Riverside lyric opera in Amahl and the night visitors, Gianni Schicchi, Suor Angelica, and HMS Pinafore. She has performed in many musicals including A Little Night Music, Thoroughly Modern Millie, Cabaret, Gypsy, Pippin and Into the Woods. She is excited to be joining this cast and crew and is grateful for this wonderful opportunity.
























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